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Story: Sonada (Abir), Abir (Arjun) and Jhinuk (Ishaa) visit the Debroy family during Durga Puja just to unearth on a fortune chase that leads them to the fortune covered up in the family's old hereditary manor, Durgeshgor.

Survey: Durgeshgorer Guptodhon is, most importantly, a two-hour-long exercise on Bengal's rich history and conventions. Be that as it may, this coin, similar to some other, has different sides. On one side, it's a supplemental class in Bengal's history, conventional qualities and traditions, giving it a solid narrative feel. Also, on the other, there's the rush of the fortune chase. In any case, more of that rush in the main half would have certainly made it a superior watch. It appears to take too long to even think about picking up pace, making the primary a large portion of somewhat of a drag.

Regardless, beside the prominent significance of research behind the substance, the film verifiably obtains extra congratulations for the visuals and the music, which is a vital bit of the fortune pursue. It's the tunes and the refrains that keep disclosing the snippets of data that guide Sonada and gathering towards the fortune concealed in Durgeshgor. The visuals have a characteristic nation intrigue that we massively miss amidst the humble of city life. To be sure, even the depiction of Durga Puja in the Debroy nuclear family has been kept to the base fundamentals, including only the parts which are imperative to the storyline. Had the consideration been more on this piece of the celebrations, even the ensuing half would have been sponsored off sad. It's moreover apparent that a lot of research has gone into picking the right territories and making the right snippets of data. In any case, the upgraded perceptions bound scene in which Arjun dives into a town lake to find a snippet of data could have been progressively sensible. No, there's nothing out of order with the effects. It's the length for which Arjun also called Abir, someone who has starting late made sense of how to swim, holds his breath that makes it to some degree fantastic. Two or three minutes more and he could have beaten a newcomer free jumper! What's more, he is apparently breathing normally submerged. No air pockets stream out of his mouth or nostrils, which shows up fairly unnatural. In reality, even the detectable quality inside the water, and that too during the evening, is a touch strange. 

Coming to shows, there's actually nothing upside down. All characters, especially Kaushik Sen and Kharaj Mukherjee, absolutely shake their occupations. In reality, there's an opening in the substance inverse Kaushik's character that remaining parts accordingly till the end, anyway that doesn't expel anything from his introduction. It's a scripting imperfection that obviously risen when the creator made a not too bad endeavor to bewilder the gathering of observers. It succeeds, yet there's no explanation for it — Kaushik's collaboration with a specialist — till the end, making that sidestep overabundance. 

All things considered, Durgeshgorer Guptodhon has made sense of how to stay reliable with its sort and its first part, Guptodhoner Sondhane, and positively makes for a not too bad watch. Abir's (Arjun) love for sustenance gives us enough inspirations to smile, if not snicker, here and there the film. Along these lines, don't hesitate to put it on your week's end watchlist. It will be a drawing in information.

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